One Size Does Not Fit All

One Size Does Not Fit All One Size Does Not Fit All One Size Does Not Fit All By Maeve Maddox Creating a piece of writing can be compared to building a house. Both activities involve practical and aesthetic considerations. A builder needs to know what is to be built and who will be using it. A writer must have a clear purpose and an intended audience. A builder who specializes in building houses probably would not have the tools or experience necessary to build a cathedral, and might even consider some of the tools or materials required to build such an edifice unnecessary, time-wasting, or elitist. A writer must first consider what is to be written. Is it an advertising flyer or a paper for a scientific journal? Is it a reference book for astronomers, or a popular guide to the stars? Is it Wind in the Willows, or Gone With the Wind? Whatever the writers purpose, the basic tool kit is the same: a reasonable grasp of English grammar, vocabulary, orthography, and idiomatic expression. Writers acquire this basic writing kit from elementary and secondary education and from general reading. As adults they refresh their memories by consulting dictionaries and style guides like Elements of Style and Zinssers On Writing Well. This basic tool kit serves well for most kinds of no frills writing. Non-fiction writers add to the basic equipment by reading widely in their areas of specialization. They may study the style of scientists who write well, such as Peter Farb (Face of North America: The Natural History of A Continent). Fiction writers increase the furnishings of their minds and find their own voices by reading fiction and nonfiction in many genres and from various historical periods. All writers operate from the basic tool kit, and, like builders, have the option of using the tools that suit the project in hand. They may not need every gadget in the box, and they may use some of the tools in unorthodox ways. Screw drivers and putty knives can be used for tasks other than the ones theyre designed for. And while older tools like magnetic stud finders may be superseded by electronic ones, they can still do the job. The writer, like any other craftsman, will think carefully about which tool is needed for a particular job. Once upon a time there was a dear little girl who was loved by every one who looked at her, but most of all by her grandmother, and there was nothing that she would not have given to the child. We could edit this first sentence of Grimms tale of Little Red-Cap according to what we learn from White and Zinsser: Everybody loved a little girl, especially her grandmother. The result is shorter and gets to the point faster. Perhaps a modern story teller would begin that way, but the revision destroys the fairy tale magic. While crisp, no-nonsense prose may be exactly what we want most of the time, sometimes we may wish to slow our writing for effect. Once upon a time there was is a way of saying to the reader Dont worry about going anywhere. Settle back and give yourself up to this fictional world for awhile. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Fiction Writing category, check our popular posts, or choose a related post below:7 English Grammar Rules You Should KnowHow to Play HQ Words: Cheats, Tips and TricksPeople vs. Persons

Hydrothermal Vents and the Marine Life They Support

Hydrothermal Vents and the Marine Life They Support Despite their forbidding appearance, hydrothermal vents support a community of marine creatures. Here you can learn the definition of hydrothermal vents, what theyre like as a habitat and what marine creatures live there.   How Hydrothermal Vents Form Hydrothermal vents are essentially underwater geysers created by tectonic plates. These huge plates in the Earth’s crust move and create cracks in the ocean floor. Ocean water enters the cracks, is heated up by the Earth’s magma, and then released through the hydrothermal vents, along with minerals such as hydrogen sulfide, which end up forming volcano-like projections on the seafloor. The water coming out of the vents can reach incredible temperatures of up to 750 degrees F, even though the water outside of the vents can be near freezing in temperature. Although the water coming out of the vents is extremely hot, it isnt boiling because it is unable to under the high water pressure. Due to their remote location in the deep sea, hydrothermal vents were discovered relatively recently. It wasnt until 1977 that scientists in the submersible  Alvin  were amazed to discover these undersea chimneys spewing hot water and minerals into the cold waters thousands of feet below the ocean surface. It was even more surprising to discover these inhospitable areas teeming with marine creatures. What Lives in Them? Living in a hydrothermal vent habitat presents challenges that prevent many marine creatures from inhabiting this hostile environment. Its inhabitants need to contend with total darkness, toxic chemicals, and extreme water pressure. But despite their intimidating description, hydrothermal vents support a wide variety of marine life, including fish,  tubeworms, clams, mussels, crabs, and shrimp. Hundreds of species of animals have been identified in the hydrothermal vent habitats around the world. At a hydrothermal vent, there is no sunlight to produce energy. Bacteria-like organisms called  archaea  have solved this problem by using a process called chemosynthesis to turn chemicals from the vents into energy. This energy-creating process drives the entire hydrothermal vent food chain. Animals in the hydrothermal vent community subsist on products produced by the archaea, or on the minerals in the water produced from the vents.   Types of Hydrothermal Vents Two types of hydrothermal vents are the black smokers and white smokers. The hottest of the vents, the black smokers, got their name because they spew a dark smoke composed mostly of iron and sulfide. This combination forms iron monosulfide and gives the smoke its black color. The white smokers release a cooler, lighter material composed of compounds including barium, calcium, and silicon. Where Are They Found? Hydrothermal vents are found at an average underwater depth of about 7,000 feet. They are found in both the Pacific and Atlantic Oceans and concentrated near the Mid-Ocean Ridge, which winds its way along the seafloor around the globe. So Whats the Big Deal? Hydrothermal vents play an important part in ocean circulation and regulating the chemistry of ocean waters. They contribute nutrients required by ocean organisms. Microbes found at hydrothermal vents may also be important to the development of medicines and other products. Mining of minerals found at hydrothermal vents is an emerging issue that may allow scientists to learn more about hydrothermal vents, but may also damage the seafloor and surrounding marine communities. References Cowan, A.M.Deep Sea Hydrothermal Vents. National Geographic.Pfeffer, W. 2003. Deep Oceans. Benchmark Books. 38pp.Viders, H. 2011. Hydrothermal Vents. Alert Diver Online.Woods Hole Oceanographic Institution. What Are Hydrothermal Vents?

What has been the best period in your life and why Essay

What has been the best period in your life and why - Essay Example Their presence makes me feel important and there is a natural attachment between me and my children. The period of their upbringing was difficult but the emotions that arose within me when they started talking and walking seem to be unforgettable. There were times when I had to give up my sleep and luxuries to make them happy and to give them time but I did not regret it. I realized that fatherhood was a position of giving without any hope of rewards. Their happiness instilled emotions of happiness within me and when they cried I tried to do everything possible to make them happy. Thus, it was a feeling and a relationship that was different from all other relations. The time of their upbringing has always been important for me and this period of fathering the two most beautiful children of the world has been the most important and unforgettable period of my life. This is owing to the strong natural bond that exists in the relation of a father and his

Read Fast Food Nation. Identify the author's main argument. Find a Essay

Read Fast Food Nation. Identify the author's main argument. Find a theme that you plan to focus on in your analysis paper - Essay Example Down the way, the author reveals a load of thought-provoking and disturbing realities – the unscrupulous tie between fast food and the giant of Entertainment Industry and the transformations in the industry that have formed in the production of food products and the standard of culture. While the book is divided into two sections – â€Å"The American Way† and â€Å"Meat and Potatoes†, there is one theme that really that is showing up: convenience. As aforementioned, The Food Nation is divided into two sections. In â€Å"The American Way†, the author looks at the beginnings of the fast food industry within the framework of post World War II America. This describes how the idea of fast food cropped up and began to transform the food culture of America. In the â€Å"Meat and Potatoes†, the author investigates on the particular procedures of the fast food industry such as the development of the chemical flavoring, combination of spices and the li vestock production; the working conditions in related industries such as the poultry and the beef industries, and the worldwide perspective of fast food as an American way for imperializing the fast food industry. ... entertainment industry, particularly Hollywood, in raking more partakers of the industry; hence, a conversation between Ray Kroc and Walt Disney took place, pointing towards creating an integrated business model that would profit both industries. In this section of the book, the author also places a significant emphasis on the ideal and most effective methods of commercializing the food industry, that is, by targeting the kids’ population through Walt Disney’s advertisements.4 The Food Nation also touches on the role of the food industry in providing jobs to the American People: the fast food industry provides work for a large proportion of the American population (although most jobs pay low wages). Many fast food companies around the world are employing more employees than any other industry in America. This somehow implies of the growing fascination not just the American people but of the world population to the fast food industry. The contention of this review is the observation that the increasing attention to the food industry by the American people is driven by the deficiency of time. With the advent of the industrial era comes the continuing tightness and increasing workloads in the workplace, causing more time constraints on the part of the American people. In various sectors of the American society, the concern for time is much on an upward slope: there is a greater need for convenience in terms of eating and relaxation. Considering the fact the deficiency of time is already an issue, many people already prefer to eat outside; nevertheless, there are restaurants that are even worse in time consumption than cooking your food in the comfort of your own home. Some restaurants would take customers considerable amount of time before they can be served. This is

The ways neurons function helps Essay Example for Free

The ways neurons function helps Essay Typically, this type of stimulus-response reflexive action involves a collection of neurons initiating and provoking responses across synaptic junctions into other neurons. Synaptic inter-neuronal communication has illuminated behavioural knowledge as malfunction at the synapse is thought to underlie psychological disorders such as mood disturbance (Toates, 2007). Electrical signals arriving at the synaptic cleft trigger the release of stored neurotransmitters which operate as chemical messengers advancing neuronal impulses towards the target neuron. Target neuron receptors are specific to particular neurotransmitters thereby prohibiting erroneous stimulation of any neighbouring neurons. Once occupied, the neurotransmitter effectuates either an excitatory or inhibitory response in the post-synaptic neuron thus achieving a chemical bridge to conduct electrical impulses translated from stimuli. The biological perspective assumes that neuronal activity forms the biological infrastructure for psychological experiences such as emotions and moods thus alterations to the neural system, particularly synaptic activity has the ability to alter behaviour and mood. Through manipulation of the specific properties of neurotransmitter release, availability and deactivation, medical therapies have been advanced. For example, diminished serotonin has been implicated in attention and mood disorders and delaying the re-absorption or re-uptake into the releasing neuron favours alleviation of depressive symptoms. The anti-depressive agent Prozac, capitalises on this process by selectively targeting seretonergic synapses to block serotonin reuptake, which results in increased bio-availability of serotonin and improved mood (Toates, 2007). The full range of human behaviour is more comprehensive than simple reflexive actions or low mood but the relevance of understanding neuronal function at a singular level becomes clear when the billions of individual neurons that make up the brain and combine to create the neural systems responsible for particular roles are considered. For example, invasive investigations in animal models have allowed researchers to isolate the receptive fields of specific neurons in the visual system permitting hemispheric and brain lobe functionality mapping. Comprehension in functional responsibility of brain lobes has translated into evidence supporting biological links with psychological experiences such as memory. Penfield and Rasmussen discovered that surgical patients disclosed vivid historical memories during electrical stimulation of the temporal lobe (as cited in Toates, 2007) and electrical stimulation can now be administered through permanent implants in specific areas of the brain for relief of chronic pain. Alteration of the neural sequence is achieved by either reducing activity in pain related neurons or increasing electrical activity in neurons associated with positive emotions (Toates, 2007). Further supporting evidence for biological influence over behaviour is found in incidents of extensive brain damage resulting in significant alterations to temperament with famous examples such as Phineas Gage enlightening aspects of behavioural science. Surviving an industrial accident that involved prefrontal lobe damage, Gage exhibited little deterioration to intellectual and linguistic abilities but marked transformations in personality, previously considered out of character. Thus, whilst the brain and nervous system exhibit remarkable properties of functional continuation despite insult, focal damage, in this case to the region responsible for inhibition of emotional expression can produce pronounced effects on behaviour lending support to a biological explanation for some aspects of behaviour. Evidence from diseased and damaged brains provides support for biological perspectives ascribing behaviour through physiology but some aspects of human behaviour do not portray a clear uni-directionality of effect. Whilst the efficacy and mode of action of pharmaceutical agents such as Prozac implicate neuro-chemical involvement in depression, patient response is distinctively individual and Anisman and Zacharko demonstrated that external factors such as stress could contribute to the development of depression in individuals with little biological pre-disposition (as cited in Toates, 2007, p. 278). Even the mitigation of pain has been shown by Wall to be contingent on anticipation of relief in patients administered inert substances rather than Morphine (as cited in Toates, 2007, p. 261). It would appear that individual beliefs and attitudes can be as important to outcomes as bio-chemical engineering. Research at a biological level augments understanding of human behaviour and has importantly led to treatments and remedies for some conditions through modification to neural function. However, an exclusively reductionist approach appears insufficient in the face of evidence highlighting the reciprocal effect of social, environmental and experiential factors.

Comic Book Investing - High Risks and Low Gains :: Exploratory Essays Research Papers

A few years ago, the popular media of the United States focused on the comic book world for one dramatic, 'tragic' event - the death of Superman.   After months of hype, the long-awaited death issue, Superman #375, was released, packaged in a black bag bearing a blood-red logo, complete with a black arm band.   The book's price immediately skyrocketed.   Thousands of people who normally paid no attention to the comic universe swarmed local shops, driving the book's 'value' to upwards of thirty dollars overnight.   Over the next few weeks, the book could be found with a price tag of as high as $100.   Today, Superman #375 is valued in Wizard: The Guide to Comics at a disappointing, anticlimactic ten bucks. What happened?   To start, the book was printed in enormous quantities.   After the first few weeks of sales, when new shipments of the issue arrived in comic stores, the book's price began to drop.   The long-term value of the book was also adversely affected in two ways.   First, Superman returned to the comic scene, alive and well, a mere four months later.   This may have been a surprise (or an outrage) to many of the non-collectors who purchased the book, but was not much of a shock to the average fifteen-year old Superman fan, well acquainted with the 'dead today, back tomorrow' mentality of the genre.   Finally, the black package or "polybag," while supposedly designed to preserve the book, was actually made of a cheap, slightly-acidic plastic that would eventually turn the issue's once-white pages to a plaque-like brown.   Thus, collectors were forces to decide between damaging their copy of Superman #375 by opening it or by keeping it in it's corrosive wrappin g.   Both paths ultimately led to a drop in the book's value. Sadly enough, this sort of hype with no follow-through occurs on a near-monthly basis in the world of comics.   Major publishing houses routinely emphasize the 'collectibility' of their output, hoping to snag the attention of young collectors eager to validate their hobby by earning a bit of cash on the side.   The simple truth is that the vast majority of the comics that are produced today are highly unlikely to become valuable, mostly because of one simple, undeniable fact. Today's comics are published in enormous quantities.   A typical issue of The Amazing Spider Man will have a print run between 300,000 and 500,000 copies.

Drive

In the film Drive directed by Nicolas Winding Refn a sudden act of violence by protagonist, Driver, is an interesting surprise. The build-up, kiss, bashing and exit involved in the scene of the incident help us to understand the character of Driver. The visual and oral features of camera shots, dialogue and lighting are used to create a surrealist incident. The Driver’s romantic love affair with Irene and his care for her young child sets the film as a romance and a drama, as the love he experiences for the two, both Platonic and Eros, ultimately leads him to unleash his true beast though he attempts so hard to hide it in everyday life.The lifestyle he has chosen for himself prior to Irene inevitably arises once the mafia he crosses paths with leads to violence of the most cinematic type while invoking elements of suspense within each beat. In the film we see four key elevator scenes that display the development of the bond between Driver (Ryan Gosling) and Irene (Carey Mullig an), his innocent looking neighbour. The build-up to the incident is where Irene slaps Driver after his pathetic attempt to communicate. They then both enter the elevator where a man in a tan suit stands.Frequently used in this scene are over the shoulder shots and close ups. Very rarely are there cuts to mid-shots which would break continuity. When Irene slaps Driver; the camera cuts to a mid-shot to show the momentum of the action. The second time this happens is when the man in the tan suit is introduced into the scene. The mid-shot reveals the character to the audience and states his importance. Once in the elevator, low angle shots are used. These create a claustrophobic atmosphere for the audience.It also allows the suspicion Driver has towards the man in the tan suit to be built up. Close ups are used to show the raw emotion between the two characters as well as creating tension when Driver notices the gun the man is carrying, hidden under his jacket. This is a cinematic tech nique where props are exaggerated by the shot type. When Irene steps into the elevator, Driver first left to stare at the man in the tan suit. This makes the audience feel uncomfortable as the empty space is awkward and implies something bad is going to happen.The immediate suspicion Driver has towards the man in the suit leads him to be wary over him. Driver’s ability to place this suspicion we can assume has most likely stemmed from his past which is unknown to the audience as nothing about Driver’s past is revealed. However, we can assume that this The build-up to the entrance of the elevator is then followed by the kiss between Driver and Irene. While the elevator descends, Driver notices the gun in the jacket pocket of the man in the tan suit.All sound ceases as Driver reaches his hand behind him to where Irene stands and pushes her back. As he does the lights dim and focus between Driver’s face and Irene’s face. The dark and light shading on their h eads is reminiscent of French poetic-realism and is used to show the audience that Driver has both a good and bad side. This scene is also shot in slow motion which not only adds a sense of surrealism to the scene but also shows how both characters savour the kiss.Both the pacing and the lighting shift gears as Driver realizes the potential danger her and Irene are in. The average elevator lighting changes to a dark-lit environment which spotlights Driver and Irene specifically, isolating them almost completely from the rest of reality. The sound is back and we're in the midst of some raucous violence: a pair of hollow, crashing sounds as Driver smashes the hit man’s head into the elevator walls; then more clunking as he falls to the ground and Driver starts stomping on his head, once, twice, three times, with his boot.The sound of leather on skin shifts as the assault goes on toward a blend of moisture and crunch. At the 12th stomp, it's clear from the audio that bones are b reaking, and by the end of the sequence, after 15 seconds and 17 stomps, the dry and featureless thud has been transformed into a deathly squish. The elevator doors slide open again, with the same faint squeak they did before—Bender calls this a â€Å"sonic signature†Ã¢â‚¬â€and Irene flees into the garage. The incident ends with a close-up of Driver’s jacket with the gold scorpion on the back.A scorpion is seen as dangerous and deadly. However, in the same way that a scorpion in the wild remains hidden from view and only attacks when threatened, the same can be said for Driver. Driver worked in a garage, lived alone in a small, dingy apartment, but attacked violently when he felt himself or those he cared for were threatened. The twist to this is that it is in fact the man in the tan suit is killed in a brutal way by Driver. This shock factor makes the audience question their sympathy towards our protagonist.The next semiotic we see is the elevator door shuttin g on Driver separating him from Irene. This representation shows the closure of their relationship indicating that there is no going back, the rupture between the two of them is final. We realise that the kiss between Driver and Irene had taken place as more of a goodbye kiss. This is because Driver is aware of the harm he could potentially bring to Irene and Benicio if her were to stay with them. His ability to suddenly act with rage and violence proves that he is uncontrollable and unstable. ConclusionIn conclusion the surprising incident in the elevator helps us learn more about the character Driver. The build-up, kiss, bashing and exit scenes of the incident result in the audience being able to see into the real Driver. The two elements of sound and colour work coherently with each other in exhibiting a scene which imitates a heaven-like landscape turned dark alley way. The approach of not only the lighting, but also the spatial distance between non-diegetic sound and diegetic s ound as the latter starts to take prominence after Driver shows his romantic side.

My Salon Observation

I did my salon observation at Faith Beauty Salon. This is a salon I visited time after time to have services done to my hair, and never before taken an in-depth look at the surroundings. The front of the salon was just average, as the appearance didn’t give an inviting feeling. There were pictures of hair styles and products on the exterior, but they were hidden behind grills. My first day of observation was on a slow day, as the customers were few. I noticed that the salon was untidy, and dirty. The workers sat down and discussed personal business rather than taking the opportunity to tidy up the salon (fig. 2). There were drinks bottles on the hair station, and shoes and a bucket on the floor (fig. 2). Tools weren’t put away properly, when not in use, e.g. blowdryer on hairstation (see fig. 2). There didn’t seem to be proper storage for workers to put their handbags, as they were being kept on the hair station (fig. 3). The shampoo area was quite small, and this was also were the garbage was being stored (fig. 4). Used towels were left on the shampoo basin (fig. 4). The microwave for heating lunch is kept right over the garbage bin in the shampoo area (fig. 4). The nails area was kept fairly neat and tidy by the nail technician (fig. 5). This may be due to the fact that this is the only rented station in the salon. There was quite a lot of selling going on in the salon, but nearly all the items being sold were not pertaining to haircare. E.g. there were large displays of handbags (fig. 6). There was also a showcase with slippers, and bath & body products for sale (fig. 2). The salon carried only one line of haircare products for retailing, in a very small quantity (fig.7). Overall the salon seem to be lacking in areas of sanitization, proper storage, image (e.g. attractiveness), and professionalism. It felt very much like a boutique, rather than a salon.

Organisation Analysis Example

Organisation Analysis Example Organisation Analysis – Coursework Example Teacher SWOT Analysis of Starbucks HRM Strength –HRM practices recognized as one of the companies in the world that has best HRM practices earning the company as the most ethical company in the restaurant industry. This reputation translates to low labor turnover and ease of attracting potential talents into the company. It practice equal opportunity and encourages diversity among its employees and is lauded in the industry.Weakness – its HRM is costly that may render the company less competitive. Starbucks is one of the highest paying company in the industry that includes health benefits and stock options. All of these entails cost that may difficult to sustain the long run.Opportunity – Starbucks could also extend its HRM practices to its suppliers, farmers who plant and harvest their coffee. Since Starbucks employs its suppliers on a long term basis and in fact does audit to ensure that its farming practices are consistent with its set guidelines, it may inclu de as well the farmers in the audit. Starbucks has the opportunity to include its HRM practices to the farmers and its other suppliers. This could translate to an ideal corporate citizenship that would earn the goodwill of its customers and therefore, will strengthen the brand to command premium prices. Threat – Competitors with lower prices threatens the company as well as its HRM practices. If competition will become stiff and the market becomes price driven, Starbucks may be forced to cut cost and one of the areas that may be cut is its benefits and pay which its employees enjoy.

How to Use the 5 Relative Pronouns in Adjective Clauses

How to Use the 5 Relative Pronouns in Adjective Clauses An adjective clause  (also called a relative clause) is a group of words that works like an adjective to modify a noun  or noun phrase.  Here well focus on the five relative pronouns that are used in adjective clauses. An adjective clause usually begins with a relative pronoun: a word that relates the information in the adjective clause to a word or a phrase in the main clause. Who, Which, and That Adjective clauses most often begin with one of these three relative pronouns: whowhichthat All three pronouns refer to a noun, but who refers only to people and which refers only to things. That may refer to either people or things. Here are a few examples, with the adjective clauses in italics and the relative pronouns in bold. Everyone turned and looked at Toya, who was still standing  behind the counter.Charlies old coffee machine, which hadnt worked in years, suddenly started to gurgle and splutter.The ticking sound was coming from the little box that was sitting on the windowsill. In the first example, the relative pronoun who refers to the proper noun Toya. In sentence two, which refers to the noun phrase Charlies old coffee machine. And in the third sentence, that refers to the little box. In each of the examples, the relative pronoun functions as the subject of the adjective clause. Sometimes we can omit the relative pronoun from an adjective clauseas long as the sentence still makes sense without it. Compare these two sentences: The poem that  Nina chose was We Real Cool by Gwendolyn Brooks.The poem Ø Nina chose was We Real Cool by Gwendolyn Brooks. Both sentences are correct, though the second version may be considered just a little less formal than the first one. In the second sentence, the gap left by the omitted pronoun (identified by the symbol Ø)  is called a  zero relative pronoun. Whose and Whom Two other relative pronouns used to introduce adjective clauses are whose (the possessive form of who) and whom (the object form of who). Whose begins an adjective clause that describes something that belongs to or is a part of someone or something mentioned in the main clause: The ostrich, whose wings are useless for flight, can run faster than the swiftest horse. Whom stands for the noun that receives the action of the verb in the adjective clause: Anne Sullivan was the teacher whom Helen Keller met in 1887. Notice that in this sentence Helen Keller is the subject of the adjective clause, and whom is the direct object. Put another way, who is equivalent to the subject pronouns he, she, or they in a main clause; whom is equivalent to the object pronouns him, her, or them in a main clause.

Analyse the association between variables Assignment

Analyse the association between variables - Assignment Example The contention was to find a simple equation that could represent the presented proposition with ease (Witte & Witte, 2009). This was followed by a calculation of the correlation coefficient that was meant to express how well the equation connected to the actual plot points. This was done to see how well any calculations based on the equation would reflect on the actual situation. Part (g) In terms of the initial hypothesis, the plotted points provide a strong correlation between the fitting of denture for the first time and the weight loss in the first year. However, it must be taken to note that the plotted points show a consistent behaviour for respondents with an initial weight under 80 kg. However, when respondents above 80 kg of initial weight are looked into, it becomes clear that they tend not to follow the initial hypothesis. The best solution would be to carry out more research with respondents with an initial weight of over 80 kg and to possibly model the situation using q uadratic or higher order polynomial functions in order to find a better fit for respondents with an initial weight above 80 kg. References Witte, R.S. ...